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A Sign of the Times

Mounted adjacent to the restroom door at the Jefferson Market Library in Greenwich Village, is this sign.

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It seems overzealous and performative."Look at us. Not required to, but we are taking a stance at this public facility. Isn't that admirable?" And therefore, it comes off as insincere.  Which is why “wokeness” is so ridiculed. Though I’d say as well, that overzealous and performative, would also describe those who cry woke as often as that little boy cried wolf. Yet, I concede that here the woke police might be justified in making an arrest. Where to begin.

 

You had me at “...used by any person.” ANY PERSON. No need to say more. Until robotics have acquired a need to use the facility, ANY = ALL human beings. Which would include every conceivable gender.

 

And as to “gender identity or expression”? What exactly does that mean? How you express your "genderhood," is irrelevant to the business at hand.   No one is going to ask for any proof.  “I don’t care how you express what you think you are, let me see a notarized letter that includes an opinion from a medical professional, before  I let you in there.”

 

The sign goes through all these pains in its manifesto, to trumpet an open mindedness on the issue of gender, but it's undermined by the shortsightedness in the graphic illustration, on other societal norms.

 

We see a mother and father holding the hands of their child as a way to depict a Family Restroom. Surely you’re not implying that in 2023, that is the definition of family?

 

Have you not heard of Pete Buttigieg and his husband Chasten and their children? Or Anderson Cooper and his? Rosie O’Donnell and her former wives not only have a bunch of kids, but she’s even a grandmother! (And to think nobody liked her on The View).

 

No, I’m sorry. If I were Rosie/Pete/Anderson, this graphic would be like a slap in the face. I’d go over and use a McDonalds restroom before I’d step foot in this one. And let’s not forget all those single parents out there. Some even struggling to make ends meet.

 

And what about interracial marriages and other such unions? More combinations and permutations than that of gender. They’re pretty frequent now. They seem to show up in every  TV commercial these days, smiling like crazy, for life could not be any better regardless of what is being hawked in their behalf. Even laxatives.  Yet all the “people” in this restroom’s sign are obviously white. Even that infirmed one there in the chair. But I will give it credit for the braille on its surface, which is not visible at first sight.

 

But if you’re going to go woke, then go for broke. Here is the sign I offer, free of charge.

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Featuring...

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muse-letter \’myüz-‘le-tər  noun

1: a personal  message, inspired by a muse of one's own creation,  addressed to a person or organization, in the course of which, the sender becomes absorbed in thought, especially turning something over in the mind meditatively and often inconclusively.

2: a letter from a poet, or one who envisions oneself as such, in which he or she “muses” on that which is perceived to be news, or newsworthy, usually in some ironic or absurd way.  

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pre November 2018

Parts of the site under reconstruction 

Metropolitan Diary

So entitled, it has been a feature in the Metropolitan section of  The Sunday New York Times since 1976. It usually consists of five vignettes (of no more than 300 words), submitted by readers who have had a somewhat offbeat New York moment they wish to share. Which even those living elsewhere might have experienced.  Nothing earthshattering. But simply about making a human connection, often through chance encounter, that at times can make one's day. And it does so in ways that are funny, sad, absurd, nostalgic, quirky and at times, even poignant. And in the process, illustrating that New York isn't as daunting a place to live as many perceive it to be. 

The Diary editor, purposefully stays away from that which deals with politics, religion and the worst of New York. There are innumerable forums and outlets which address such subject matter. Often vehemently. And often with gross exaggeration.

 

I’ve seen the Diary experience best captured, by way of some specific references. 

 

 

 

 

 

 

 

 

 

 

 

The Diary receives 80-100 submissions a week from which only four or five are selected. I was fortunate in my first submission to be one of those few.  It appeared two weeks ago.

“It has been a place for New Yorkers, past and present, to share odd fleeting moments at Bloomingdale's, at the deli around the corner, in the elevator or at the movies.

 

Since its debut, overheard conversations have shifted from the backseat of Checker cabs to Crown Vics, from pay-phone booths to cellphones and from the IRT to the JMZ. Still, punch lines delivered by surly waiters, witty train conductors, lively bus drivers, erudite window washers and adult children facing off with an overbearing parent continue to surprise us.”

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The Fledgling

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Quote of the Month

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A Return to High School Sixty Years After

 

Who goes to high school reunions and homecomings? There are no stats on this though they do seem to be on the wane. Facebook and other social media render them unnecessary, as a means to simply reconnect.

 

I’d never gone to one; high school or college. Then broke that string in 2017 on the 50th year of my graduation  from Manhattan College. It turned out to be fun. But why wouldn’t it? I had a positive experience in my four years there. High school, however, was different story.

 

I had some rather unkind things to say about my high school alma mater Brooklyn Tech, in a piece I wrote on reunions those six years ago. (July 2017 On Class Reunions: Musings & Memories & A Fiftieth.).  

 

Beginning with...

... it was the prison-like aura of the building itself, housing 6,000 inmates. Not to mention the post-war industrial curriculum, that left me in a quandary (and often in a foundry). I was out of my element, and not cut out to be an engineer.

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Yet, I hung in there for four years, almost to spite the Principal. A man who no doubt had arrived from his previous post at Dachau, and welcomed us with these warm words at orientation in an auditorium the size of Delaware: "Look to the left of you. Look to the right of you. One of you three will not graduate." Thank you for that uplifting introduction. You bastard.

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So to have made it through this intense, challenging institution, is a badge of honor I’ve worn proudly. And I did always love the logo. (The logo?). A clue right there that I was in the wrong school. Why I didn’t go to one more in tune with my interests and alleged artistic bent, is a long story.

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Sixty years later, both the logo and the stature of Tech remain unchanged. U.S. News & World Report in 2022, ranked it 46th out of  the 24,000 public high schools in the U.S.  (Two-thousandths of one percent if you do the math).  Though the makeup of the student body today, having long since having gone co-ed, is now a model of race and ethnic diversity. Unlike the exclusivity of us white geeky guys back in the day. At 6,000 students, it is as it was then, the largest high school in the country. 

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Reunions are usually about connecting with former classmates. While I’d never established a friendship with anyone that went beyond the 3 o’clock bell, now when invited to this special commemorative event six decades later,  I was all in.

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Though this special celebratory year actually began the previous June, with a familiar face congratulating Tech's 100th Anniversary class,

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But I would come, not to reune with people, but to reune with a building.  To walk those halls now, absent the agita I often had in going from one class to another, for subjects and workshops that were beyond my grasp and skillset. The array is still daunting. From Physics to Machine Shop on through to Descriptive Geometry (I still don’t know what that is).

 

That was then; this is now. Upon entrance, I, along with graduates spanning these past sixty years were cheered as conquering heroes. Members of the current student body aligned the walls to greet us as we made our way to the registration tables.  A goosebumps moment.

 

Soon we’d be led to that cavernous auditorium amidst more cheering, and as the oldest graduates, we were seated in the front rows. A reward in deference, I suppose, to our still being alive.

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A program of presentations unfolded to tell us how great a school this has been and still is. And it was delightfully interspersed  with entertainment.  With scenes from a Broadway musical and synchronized rhythmic dancing by “Step Teams,”  I wondered if I was at Brooklyn Tech or Julliard. Where was any of this in my day? It concluded with the singing of the Alma Mater. 

 

A quick lunch (cafeteria food then...cafeteria food now), and it was time to roam those halls. When one returns as an adult to a space out of adolescence, it can be striking. Might it have all just seemed larger then? Especially, as  I was small for my age at that time to begin with. (Another source of anxiety). No, at 77, it seemed even larger. Though I didn’t need a golf cart to get around (thankfully I'm nowhere near that stage), it was quite a trek working the perimeter of each floor. 

 

There were open classrooms and workshops along the way, where students discussed projects they were working on, that didn’t exist back when. The ecology lab for example. And now within this behemoth of a building—one that King Kong could have chosen to take Fay Wray up— I could appreciate the aesthetics that I had never really taken in before. Which actually began when we stepped foot in the door.

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Beyond the touches of elegance, and despite renovations over the years, most of the original oak doors to classrooms remained.  The school history ingrained in the very wood. Some embossed in a golden font still visible, indicating the subject being taught within.  One in particular brought back memories of courses I did excel in. A door I couldn't wait to step through back then.

Six hours in all... mission accomplished! 

Some of us then retreated to a nearby pub. Having brought my yearbook along—despite my claim that the goal was not people-oriented— I even got a few signatures from fellow students I was meeting for the first time. Which is in keeping with one of my precepts: If you’re going to go back in time, bring back some evidence from the trip.  As I suspect many have their own versions of a “Brooklyn Tech” chapter in their lives, it is a trip I would recommend taking.

finito

muse-letter \’myüz-‘le-tər  noun

1: a personal  message, inspired by a muse of one's own creation,  addressed to a person or organization, in the course of which, the sender becomes absorbed in thought, especially turning something over in the mind meditatively and often inconclusively.

2: a letter from a poet, or one who envisions oneself as such, in which he or she “muses” on that which is perceived to be news, or newsworthy, usually in some ironic or absurd way.  

Domenica Press logo.jpg

pre November 2018

Parts of the site under reconstruction 

"

"

La Baguette

 

1.

 

Narrow streets converge at a corner

where food merchants are plying their trade;

a hubbub in the stillness of a postcard depiction.

A woman had then sashayed on by

on Rue Dauphine

as only French women can.

Who has directed her diagonal cut

across this Parisian street? Buñuel?

 

Hip thrust forward, la vie d’amour

implicit in the every step,

her dress on this sultry day clinging;

her hand encircling an unbagged baguette

long and lean and lancing the air

a master stroke in alliteration.

A man stands transfixed in speculation.

With whom would she share it?

Taste it? Tear it?

Leaving specks of crust on pouty lips

the soft dough filling her mouth?

2.

 

He crosses Pont Neuf,  a bridge built in halves

becoming enjoined after twenty six years.

Not long a span of time for stone

but a good-size chunk of a marital life.

That cliched better half lies languid in a room

of long-stemmed walls and painted roses

time having passed in beige.

 

She notes as he enters,

his trench coat twistingly belted;

a would-be Bogart in that parting scene.

Autumn winds on this ashen day,

have had their way with his desperate hair

resulting in enchanting disarray.

Eyes turn to the baguette he has brought unexpected.

She gives him a smile as long as the Seine.

Subtitles follow in the space beneath them.

Existential Triptych

2. My Dinner With Stanislavski

He speaks of a theater that could go under.

As he mulls an existence without costumes nor props.

Thank Godot for the vodka to come.

But what's to become of our inner life?

The regurgitation of pea-soup monologues?

Where would we stage-strutters go

In that allotted hour? He remains silent.

I now sense a memory of reason

Why so much sweat upon the pages;

 

So many pages in a play with no plot.

Therein might lie the madness to the method.

As shown in the tedium of Chekhov's Vanya

That final scene shattered by gunshots,

"Take me away! Take me away! Kill me.

I can't stay here, I can't!"

3. The Barn

The barn doors not left open

thus nothing has run off

 

​not the steeds of misdeeds

that should have been released

 

​along with the demons we meant to unleash

and maudlin memories still sitting baled

 

from the winters of discontent

the squandered summers that came and went

 

​the beast within that should have

long been unburdened

 

​chewing on unsown oats

behind closed doors.

1. Side Table

 

Ingrained in old furniture
is where the true stories lie.

That bureau that sits in storage in Jersey

from the last cross-country move,
outlasted the starter marriage
and the one the length

of War and Peace that would follow.

 

But most of all, I await the return
of that little side table now being repainted
by a handyman to match

the new décor in this,

the latest of multiple lives.

 

It has heard the arguments
absorbed the resentments
weathered the storms.
Coming back in a semi-gloss black,
I’ve lost count of the coats of colors

it previously has worn.

 

First bequeathed in its natural grain

by a wrinkled woman from Eastern Europe 

who never got over the drowning of a son
who looked like a young Cary Grant. 
This after losing kin in the holocaust.

 

This latest reincarnation,

will now hold a Crate & Barrel vase
and will remain standing

long after we’ve departed.

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